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Digital SLR photography — How much camera gear do you really need?

The good news is you don’t need a lot of camera gear to take great photos. In fact, less can be better.

Young Grey Butcherbird

I only had a couple of seconds to frame, focus and capture this photo of a young Grey Butcherbird. Familiarity with my camera gear, rather than what gear I was using, enabled me to get the shot.

One of the most common things people new to SLR photography wonder about is how many lenses they need. The camera companies with their huge ranges of lenses would obviously like you to buy all of them. But the truth is, there are big advantages in keeping things simple. And of course it will save you a heap of money too.

Every new piece of camera gear is something you’re going to have to become familiar with. A lot of new photographers forget that. They keep buying more camera gear and never get comfortable with what they already have.

When you think about it, that’s like spending your whole photographic life with ‘learner plates’ hanging around your neck.

Assassin Bug

Macro photography, like this shot of an Assassin Bug, can often involve the use of specialist equipment.


Why is that such a big deal?

You often don’t get much time to compose a shot. The sun disappears behind clouds, wildlife flees into the bush, people’s expressions change. The photographers who use the same gear again and again are always the ones more likely to capture those brief special moments. Knowing their lenses and how they frame a scene mean they’ll work more intuitively when they think about their composition. And while they’re thinking about composition, the ones who are unfamiliar with their brand-new camera gear will be thinking too much about menus and buttons.

That pretty much sums it up: time spent figuring out your equipment is time that could have been better spent figuring out how to get the best photo.

You don’t need every focal length

As someone who loves photographing wildlife, 90% of my photos are taken with my 100-400mm lens at the 400mm end. In other words, I could take 90% of my photos with just one 400mm lens.

The rest of my work is mostly done with my macro lens and my wide-angle lens.

That’s why I don’t have heaps of different lenses.

So that’s what works for me with my nature photography. Your needs and therefore your choice of equipment could well be different. But one thing is likely to be the same, and that is that there will be some focal lengths that you will probably never use. Which means there’s no need to buy them.

New cameras

Buying a new digital SLR is great fun. I won’t pretend otherwise. But once you take the camera out of its box, you turn the box upside-down and a 100-page manual falls out. You’re going to have to read at least some of that thing.

In my opinion, digital SLR cameras these days are too complicated, with menus and sub-menus and ridiculously complicated combinations of options in focusing and so on. I remember what it was like when I bought my current camera. Despite having a pretty good understanding of cameras, it still took me a while to get used to a new set of menus and stuff specific to that model, and I missed some nice shots in those early days while I was learning it. I don’t think I’m going out on a limb when I say that when a flying saucer from the planet Zork hovers in front of you in beautiful light for only a few seconds, you don’t want to be flipping through a 100-page manual.

Fancy holidays

A modern digital SLR camera or a good lens can each cost about as much as a fancy holiday. Ask yourself who’s taking the best photos? The one who’s totally familiar with his camera while exploring beautiful exotic destinations, or the one who blew his travel budget on another new camera instead and is sitting at home trying to make sense of another manual?

Oh yeah, and speaking of travel, the person with less camera gear is going to find it much easier to pack.

I think it’s pretty clear then what my opinion is about buying tons of new gear. While buying new stuff is fun, it’s not what makes a great photographer.

So how do you choose your equipment?

Now you know some advantages in not having too much camera gear I’ve also written an article where I reveal the the basics in choosing your lens or lenses.

Photography

Beginners’ series on digital SLR photography

The essential basics

Digital SLR photography — a beginners’ guide
A quick guide to understanding your new toy

Learning from examples
Picking up where the first article left off

Understanding aperture
This is one of the fundamental tools for controlling exposure.

Understanding shutter speed
This is another of the fundamental tools for controlling exposure.

 

Making sense of technical stuff

Megapixels
How many is enough?

How much camera gear do you need?
Sometimes, less really is more

How to choose a lens
Making the right choices can improve your shots and save you money

newTips for using tripods
Getting the most out of them

JPG versus RAW
Which is the best way to work?

Understanding histograms
Making sense of this handy tool

APS-C vs full frame
The differences explained, and what it means to your photography

Pixel density in sensors
Helping APS-C cameras photograph distant objects.

Fast lens, slow lens
What’s the difference?

Understanding colour temperature
It doesn’t have to be complicated.

Understanding resolution
What it means, as it applies to digital photography

 

Photography words explained

What’s a 100% crop?
I explain a term you often hear in digital photography

newWhat are specular highlights?
You’ll recognise them when you see them

newWhat is bracketing?
A commonly-used word for a handy trick

 

Photography at night

Photographing small critters
in the dark

How I take my shots when there’s no light

newTaking pictures of the moon
You need a fairly long lens, and these simple tricks

Common problems and their solutions

Washed-out colours in photos
Why it happens, and how to prevent it

Understanding exposure compensation
Why your photo subject can look so badly exposed, and what to do about it

Understanding dynamic range
Dealing with too much contrast

Working in harsh light
Getting some of the colour back into midday photography

Getting sharper pictures
Understanding the things that stop your photos from being tack-sharp

Noise in your images
What causes it, and what can you do about it?

 

Taking things further

Using a telephoto lens to blur the background
Here’s an easy-to-understand explanation of why it happens

Macro photography part 1
Using your DSLR for bug shots

Macro photography part 2
Ironing the bugs out of bug shots

One simple trick
The easiest way to get better wildlife photos

Wildlife photography
Tricks the pros use to get better pictures of critters

Bird photography part 1
Small, distant, and feathered does not have to mean a bad photo

Bird photography part 2
More hints for beginner bird photographers

How I take photos of frogs
These tiny critters require a technique all their own.

Using software to ‘fix’ your photos
A few suggestions for image editing

 

Advanced stuff

Image Stacking
Using software to achieve extraordinary Depth of Field

Sneaky deep-etching
A fast way to cut complicated objects out of their backgrounds

 

Other photography stuff

BLOG (sort of)

The elusive waterskiing duck
It started out as a fun idea …

PHOTO GALLERY

Pics of Australian critters
Some of my recent images

PHOTO SALES

Looking for the right picture?
A small selection of the photos available


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